11. THE "MODERNIZING" OF THE WEST
POLITICAL-SOCIAL FERMENT
The Early to Mid-1800s
CONTENTS
The role of Romanticism in growing the sense of nationhood
The German Romanticists Herder and Goethe
Georg Wilhelm Friedrich Hegel: Historical progress through struggle
Schleiermacher and Protestant Liberalism
The textual material on page below is drawn directly from my work
A Moral History of Western Society © 2024, Volume One, pages 416-419.
A Summary of this Section
Herder and Goethe late 1700s (Sturm und Drang Movement): Struggle is necessary for
greatness ... not just pure reason;
Goethe goes on (Faust) to write about the quest
for personal meaning within the larger context of
a realm of freedom
Hegel builds on the idea of struggle – struggle necessary to
bring things to a higher status
(socially)
But such a process is
guided by a Weltgeist – God even himself seeking his higher
completion in union with man (producing a perfect state of love
and peace)
But such thinking
led to the idea of God in union with whole nations in the quest for
greatness
... but also
social revolutionaries (working class advocates) in their political
efforts
Schleiermacher sees Christianity as something well beyond
mere religious practice or
excellent theology, but instead
something derived from a special spiritual connection with
God directly
THE ROLE OF ROMANTICISM IN THE GROWING SENSE OF NATIONHOOD |
The
French Revolution had initially challenged Europeans to investigate
further this idea of building human progress on the basis of the
ability of man (any man / all men, potentially) to reason clearly … if
properly brought up to do so. But when given the chance to put
this utopian dream into practice, the French ultimately had failed
miserably – very, very miserably.
A reaction against such worship of Human Reason naturally set in, not
just among the skeptical British Empiricists but among a number of
continental scholars, especially the German Romanticists. This
latter reaction developed on the European continent especially when it
became obvious that under Napoleon what stood behind French power was
not Reason, but some kind of special Spirit that rose naturally out of
the soul of an energized people themselves (French peasants becoming
national warriors).
This quest for such Spirit (German Geist) would mark much of European
philosophy during the 1800s, especially that coming out of Germany,
whose philosophers seemed to dominate the field of intellectual inquiry
on the European continent that century, the way the French had done so
the century before.
THE GERMANIC ROMANTICISTS HERDER AND GOETHE |
Two young Germans, Johann Gottfried Herder and Johann Wolfgang von Goethe helped found together the Sturm und Drang
(Storm and Drive) Movement of the 1770s, celebrating the spirit of
struggle as the necessary element in achieving what the Rationalists
had felt would be achieved simply through pure reason.
Herder
Goethe
The clergyman Herder studied under Kant at Königsberg, but moved away
from Kantian rationalism into a mystical world presided over by
God. As a young pastor he met Goethe, inspiring the latter with
his insights into Biblical literature. He recognized that the
Hebrew literature of the Old Testament was more of the nature of poetry
and folk narrative than technical science (which was how Rationalistic
Western society was coming to think and operate at that point), and
that it was necessary to understand the Hebrew writings as such – not
as mechanistic science but as deeply inspired narrative or parable – in
order to comprehend their great truths.
The two men became good friends whose speculations together about human
knowledge birthed the Sturm und Drang Movement of the 1770s, elevating
human emotions above human intellect. Eventually their thinking
would settle down a bit and evolve towards Classicism, or love of the
styles of classical or ancient Greco-Roman antiquity in an attempt to
balance human emotion and human intellect.
Herder was a strong German nationalist, at a time when Germans were
attempting to construct the idea of a German nation (Germany at the
time was divided into hundreds of independent states, large and
small). Yet he was cautious about letting the highly emotional
tribal spirit of nationalism get too far away from practical reason.
Then with the outbreak of the French Revolution in 1789 Herder would
support the Revolution, producing a split between himself and many of
his friends, including Goethe. Finally, his dedication to
refuting Kant's theories would place him pretty much in isolation
within the German academic community.
Goethe was an individual of wide tastes and talents, being a poet,
dramatist and scientist all in one. He was early influenced by
Herder, who inspired in him a deep appreciation of German folk culture
and consequently a spirit of German nationalism.
But Goethe was also a profound individualist, intrigued by the power
and depth of personal experience and emotion. In his first play, Götz von Berlichingen
(1773), Goethe explored the depths of individual human sentiments –
helping to lay the foundation for the Sturm und Drang Movement, which,
among other things, advocated personal freedom in the face of
oppressive, medieval attitudes in Germany concerning the role of the
individual in society. This Sturm und Drang Movement would later
blossom into German Romanticism.
In the 1780s Goethe went to Rome to study classic art, architecture,
and literature and for a while came under the more formalistic style of
the neo-classicist movement. But on his return to Germany he
found little appreciation for his new views. He then turned to
science for a while. But his longer-standing romantic
inclinations reasserted themselves, and his independent individualist
style returned to the fore. This culminated in his all-time great
work, Faust (actually written
and rewritten in two parts over a long period of time reaching perhaps
from 1772 to 1829), which was an epic tale of the search of the
individual for that which is of a lasting or transcending value in the
face of freedom's great opportunities – and uncertainties.
His Faust would become the
best-read work of German literature (roughly equivalent to the place
Shakespeare has long enjoyed in English literature), inspiring young
Germans for generations to quest for the German ideal, the romantic
spirit or soul that made Germany unique among the nations.
Herder's and Goethe's ideas would leave their mark on German
nationalist thinking by putting into place a powerful intellectual
legacy for others to pursue, with the idea of exploring the spirit of
man as well as his intellect. However both of them eventually
moved on to the philosophy of Classicism, which idealized the cultural
and political achievements of the ancient Greeks and Romans, who became
for them models that Europeans should attempt to emulate (as it was
also for Americans at the time, who took up the Roman idea of the
Republic as the political structure they were trying to set up in 1787).
GEORG WILHELM FRIEDRICH HEGEL – HISTORICAL PROGRESS THROUGH STRUGGLE |
Just
as Goethe was to become Germany's grand poet of the century in Germany,
Georg Wilhelm Friedrich Hegel would become Germany's grand philosopher
of the century. Hegel built on the Sturm und Drang idea of the
blessings of struggle, seeing in the tension between opposing forces
(usually in the form of newer, radical ideas and practices challenging
older, established ideas and practices) the possibilities of birthing a
new standard, one operating at a higher social level than
previously. This idea eventually became his famous dialectic, the
struggle of two opposing things eventually birthing a third, superior
thing – a dialectical dynamic supposedly found in all aspects of
material as well as biological and social or cultural development on
this planet.
But he added to this purely mechanical formula the idea that the
process itself was not random, but instead guided by a superior
Weltgeist / World Spirit or World Mind (or just simply God) that was
directly involved in the entire process as part of a quest for the
completion of history, with the full union, in a state of perfect love,
of all things together. Even God (especially in the form of the
living Jesus) was part of this process, seeking his own completion in
union with man – or man in union with him, when all would be one in a
perfect state of love and peace.
From this point on, virtually all the 1800s sense of progress (not just
in Germany but in much of the whole of Western Civilization) was shaped
by the idea not just of philosophers sitting in their salons directing
others rationally toward a utopian world, but by the direct involvement
of those who would bring history forward, through noble struggle,
struggle directed by some great Spirit. Without such struggle,
violent though it might be, progress was impossible.
Hegelianism also touched on group pride, as nations or classes came to
see themselves as being under the special anointing of the World Spirit
to take the lead to direct history into the next era. This fed
powerfully into German nationalism, with its sense of special German
historical destiny.
But this also fed powerfully into the working-class movement also
arising at that time, a movement which came to view the industrial
workers of the world as the true moral underpinning of the world to
come.
For more on Hegel
SCHLEIERMACHER AND PROTESTANT LIBERALISM |
Interestingly,
just as it was a German Hegel and soon to be a German Marx that would
leave a huge impact on 19th century Western philosophy and political
theory, it would be a German, Friedrich Schleiermacher, who would
initiate something of a German lead in the 19th century world of
Western theology. Thus he would come to be known as the "Father of
Modern Liberal Theology."
Basically, he reacted to the supposedly rational world of the
Enlightenment – and its clear failure in the French Revolution – as
much of the surrounding intellectual world did also at the time (the
early 1800s). But he was also as reactive to the strict Biblical
literalism of the Reformed Church he was schooled under. As a pastor
and professor (Halle, then Berlin), he followed the rising Romanticism
trend sweeping Europe's intellectual circles at the time, in
emphasizing the idea that faith was a feeling derived from a direct
spiritual connection to God – rather than a set of strictly traditional
or even well-reasoned religious principles.
Then he added, Christianity as faith was and always had been
contextual, socially and culturally. He found the truth in Scripture
not in the way the Bible met modern standards of fact-based science,
but in the deep faith that led the Gospel writers to put into writing
the ways events in Christ's days touched their hearts so profoundly.
In his own extensive study of Scripture, he affirmed that Scripture was
never to be taken as "fact," but instead as spiritual testimony – and
should always be understood as such.
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Miles
H. Hodges
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